Kdaj: nedelja, 20. 9. 2015 ob 18.00
Kje: Prulček bar, Prijateljeva ulica 2, Ljubljana
Kaj:
OD INDIJE DO JAZZA
Zaključni koncert udeležencev 1. delavnic Špecialnega Godalkanja (Special Courses) v sezoni 2015/16 z mentorjem Zoltánom Lantosem. Z enournim koncertom smo predstavili program, ki smo se ga naučili na intenzivni vikend delavnici; klasične indijske kompozicije, Zoltánove avtorske skladbe in skladbe skladateljev, ki navdih črpajo v indijski glasbi.
Kdaj: 18–20 september 2015
Kje: Rimska cesta 2b, Ljubljana
Kdo:
Zoltán Lantos se je na evropski jazzovski sceni pojavil že med študijem na glasbeni akademiji v svojem rojstnem kraju, Budimpešti. Mikala ga je eksperimentalna glasba in glasba vzhoda, zato se je leta 1985 odpravil v Indijo, kjer je študiral indijsko klasično glasbo.
Leta 1994, po 9 letih študija, potovanj, poučevanja in nastopanja v Indiji, se je Lantos vrnil v Evropo. Skozi improvizacijo na violini in skladanje je ponovno začel odkrivati svoje glasbene korenine. Svoj glasbeni jezik je našel v mešanici madžarske in klasične tradicije, vzhodne glasbe in sodobnega evropskega jazza. Skozi leta ga je glasbena pot popeljala do sodelovanja z umetniki, kot so Ramesh Shotham, Charlie Mariano, Dhafer Youssef, Rabih Abou-Khalil, Loreena McKennitt, Larry Corryell, Steve Coleman, George Brooks, Trilok Gurtu, Eivind Aarset, Nils Petter Molvaer in mnogi drugi.
Zoltán Lantos igra na posebej zanj narejeno 5-strunsko violino s 16 resonančnimi strunami, okrepljeno z uporabo elektronike in semplanja v živo.
Kaj:
OD INDIJE DO JAZZA
Kompozicije za solo violino, improvizacija, tudi z uporabo svojega glasu, elektronike v živo in looperjev, plavati in lebdeti v nenehno razvijajočem se lastnem večdimenzionalnem zvočnem vesolju, ki odseva duhovnost in globino indijske in druge vzhodne glasbe, živahen ples ljudske glasbe, kompleksnost sodobnega jazza, intelektualnost klasične glasbe, ambient in utrip elektronskih gruvov … na minimalističen, eksperimentalen in svobodomiseln način, z globokim spoštovanjem do mojstrov, ki so mi pomagali in vplivali name.
Video:
Rok prijave:
8 dni pred posamezno delavnico
Rok plačila:
Za celoletno šolnino do 24.9.2015
Za posamezno delavnico najkasneje na dan delavnice.
Celoletna šolnina se plača v treh obrokih (po 150€), pred septembrskim, novembrskim in januarskim kurzom.
Prijavite se tako, da pošljete mail na: mail.specialcourses@gmail.com
Račun boste ob prijavi prejeli po mailu.
When: 18–20 September 2015
Where: Rimska cesta 2b, Ljubljana
Who:
Zoltán Lantos appeared on the European jazz scene while studying at the Music Academy in his hometown, Budapest. Drawn to experimental and Eastern music, he traveled to India in 1985 to study Indian classical music.
In 1994, after 9 years of studying, traveling, teaching, and performing in India, Lantos returned to Europe. Through violin improvisation and composing, he began rediscovering his musical roots. He found his musical language by blending Hungarian and classical traditions with Eastern music and contemporary European jazz. Over the years, Lantos’ musical voyage has brought him together with artists like Ramesh Shotham, Charlie Mariano, Dhafer Youssef, Rabih Abou-Khalil, Loreena McKennitt, Larry Corryell, Steve Coleman, George Brooks,Trilok Gurtu, Eivind Aarset, Nils Petter Molvaer and many others.
Zoltán Lantos plays a custom-built 5 string violin and a 5+16 sympathetic string violin, enhanced by using electronics and live sampling.
What:
INDIA TO JAZZ
Solo-violin compositions and improvisations, even using my voice, live electronics and loopers, floating and drifting in a constantly evolving multidimensional sonic universe of my own, which reflects the spirituality and depth of Indian and other Eastern music, the vibrant dance of folk music, the complexity of contemporary jazz, the intellectuality of classical music, the ambiance and the pulse of electronic grooves… in a minimalistic, experimental and free spirited fashion, with deep respect to the masters who helped and influenced me.
Video:
Friday, 6pm–9pm;
Saturday 10am–1pm, 4pm–7pm;
Sunday 10am–1pm, 4pm–7pm, fi nal performance;
Participants are required to attend all workshops of the course.
Price:
150€/workshop ; 450€/yearly participation (90€/workshop)
Deadline for an application:
8 days before each workshop
Deadline for payment :
September 24th for the yearly participation.
For one course: on the day of the course.
Yearly participation has to be paid in 3 amounts of 150€ (before the September, November and January courses)
If you wish to be a part of our courses, just send a mail on: mail.specialcourses@gmail.com and we will send you an invoice.
Kdaj: četrtek, 17. 9. 2015 ob 21.00
Kje: Prulček bar, Prijateljeva ulica 2, Ljubljana
Kaj:
OD INDIJE DO JAZZA
Solo koncert mentorja 1. Špecialnih delavnic (Special Courses) v sezoni 2015/16.
Kompozicije za solo violino, improvizacija, tudi z uporabo svojega glasu, elektronike v živo in looperjev, plavanje in lebdenje v nenehno razvijajočem se lastnem večdimenzionalnem zvočnem vesolju, ki odseva duhovnost in globino indijske in druge vzhodne glasbe, živahen ples ljudske glasbe, kompleksnost sodobnega jazza, intelektualnost klasične glasbe, ambient in utrip elektronskih gruvov … na minimalističen, eksperimentalen in svobodomiseln način, z globokim spoštovanjem do mojstrov, ki so mi pomagali in vplivali name.
kdaj: sobota, 12. 9. 2015 ob 16.00
kje: Bivak festival, Ljubljana
Koncert Namuznjenih Godalkarjev na festivalu popotniškega novinarstva.
kdaj:
petek, 11. september 2015 (10.00 – 11:30)
– za šole, neodvisna delavnica
petek, 11. september 2015 (16:00 – 17:30)
– 1. delavnica za širšo publiko
sobota, 12. september 2015 (10:00 – 11:30)
– 2. delavnica za širšo publiko
kje: Festival Maribor, Gledališka dvorana Vetrinjskega dvora, Maribor
kaj: Glasbena abeceda in intervali po domače
Ali je glasbena teorija res nujno bau bau? Je res težja od enostavne matematike? V strnjenih treh delavnicah bomo na kratko predstavili snov, ki je namenjena otrokom, mladini in odraslim.Tudi tistim, ki bi radi svoje otroke v bodoče vpisali v tečaj, pa se želijo bolje seznaniti z načinom dela. Glasbeno predznanje ni potrebno, udeležba pa je priporočljiva tudi za učitelje ali tiste, ki jim osnovna glasbena teorija predstavlja prevelik kamen spotike. Namen delavnice je spodbujati samoučenje. Preverjeno deluje, da lahko starši, ki niso pred tem imeli nič glasbenega predznanja, sami doma z otroki izvajajo vaje, ki pripeljejo do boljšega razumevanja glasbene teorije. Na delavnici uporabljamo klasična poimenovanja, vendar sam tečaj ne izhaja iz notnega črtovja, temveč naše lastne vizualizacije tonskega sistema, ki se potem prevaja v posamezne inštrumente, notno črtovje ali druge oblike zapisa glasbe. Tečaj temelji predvsem na zgradbi tonskega sistema, ritem pa spoznavamo le mimogrede z zanimivimi vajami. Naučimo se struktur in akordov za pesmice, ki jih lahko nato zaigramo na različnih inštrumentih brez tehničnega obvladovanja inštrumenta.
Osrednji namen delavnic je spodbujanje ustvarjalnosti in aktivno vključevanje ciljnega občinstva v glasbeno dogajanje v Mariboru.
Eden izmed mnogih odzivov iz lanskoletnih avtodidaktičnih delavnic glasbene teorije na festivalu Maribor 2014:
“Spoštovani!
Ob koncu festivalskega programa v Mariboru se vam še enkrat zahvljujem za demonstracijo avtodidaktične metode. Obžalujem, da nisem več mlada, da bi lahko v glasbo še enkrat vstopila skozi “vaša” vrata, prav tako kot globoko obžalujem, da so me v glasbeni šoli opeharili za radost in igrivost ob inštrumentu, ki sem ga igrala in se ga zdaj skoraj ne dotaknem več.
Upam, da vam bo sledilo veliko ljubeznivih pedagogov, ki bodo širili veselje do glasbenega ustvarjanja.”
Renata Z. Pešec
When: 2015/16
Where: Rimska cesta 2b, Ljubljana
We realised courses in following subjects:
– September 18-20: Zoltán Lantos (HU) – INDIA TO JAZZ
– November 13–15: Dario Marušić (CRO) – ISTRIAN VIOLIN
– January 8–10: Jean Christophe Gairard (FRA) – ROMANIAN VIOLIN
– March 4–6: Bojan Cvetrežnik (SLO) – VIOLIN TEACHER’S TRAINING
– April 1–3: Barja Drnovšek (SLO) – BALFOLK
Last years workshops:
Timetable:
Friday, 6pm–9pm;
Saturday 10am–1pm, 4pm–7pm;
Sunday 10am–1pm, 4pm–7pm, final performance;
Participants are required to attend all workshops of the course.
Price:
150€/workshop ; 450€/yearly participation (90€/workshop)
Deadline for application:
8 days before each workshop
September 24th for the yearly participation.
Deadline for payment:
For one course: on the day of the course.
Yearly participation has to be paid in 3 amounts of 150€ (before the September, November and January courses).
If you wish to be a part of our courses, please send a mail on: mail.specialcourses@gmail.com and we will send you an invoice
Special Courses:
The Special Courses are the initiative of Godalkanje.org open source music education in Slovenia. It is a part of the One Music Society activities that are orientated towards sound ecology, equal rights for different music styles and run new economy experiments with music production. In Slovenian, ‘godala’ means ‘bowed string instruments’. Godalkanje courses take place since 2010 with the intention to present as much diversity as possible in order to give string players a lot of opportunities for further investigation. As the founder Bojan Cvetrežnik said, he only found how diverse European violin music is after having worked as a violinist-soloist in Cirque du Soleil, as a principal viola player in the Slovenian National Opera Orchestra, as a member of the BBC awarded progressive group Terrafolk and as the founder of Symbolic Orchestra. Each major violin folk movement (Celtic, Scandinavian, Balkan, Slavic, Romanian, Latin, Alp region…) has hundreds of different violin styles inside, even on very small territories. If we add this to hundreds of years of written music in classical music, traditional and contemporary jazz violin, rock and electronic music, it would be extremely difficult to find a better symbol for the European musical diversity than the violin is.
Of course viola, cello and bass are also commonly used, as well as other bowed instruments (nyckelharpa, kontra, early music instruments…). The courses are mostly run by playing ‘all together’ and with a strong intention to perform publicly as soon as possible, not excluding all the opportunities given by Ljubljana architecture. A smaller group of participants uses the repertoire of the courses for group playing or performing with their groups outside Special Courses. All fears about how the integration with the new worlds will turn out must immediately be eliminated. That was proved too many times to still doubt about it. All different, all equal. If there are doubts about the level of younger players please contact us and we can arrange a Skype meeting; or send us a video recording of playing at the recent level.
Recommended hostel: Vila Veselova