Meeting for ONE music

When? From Sunday, April 25, to Tuesday, April 27, 2021

Where? Trnovo, Ljubljana (terraces between apartment buildings / playgrounds / in front of the old people’s home)

What? We strive for a greater diversity of music genres in Slovenian public music production. Music genres differ from each other by different criteria. And yet music is still ONE, a unique magic with which we awaken mysterious forces in human society. You could even attribute supernatural power to it. Because political or other divisions point to differences or disagreements in society on a daily basis, we prefer to think about what the different music genres have in common. We believe that musical intercultural dialogue can contribute to improving dialogue between all people. What do music genres have in common? Genres do not differ in how much time, knowledge, talent and skill is required to achieve excellence. In music which we don’t know, all the songs sound similar to us. The more we know the genre, the greater richness of diversity we find within each genre.

We expressed our support: Godalkanje Fiddle Gang under the direction of Barja Drnovšek and Bojan Cvetrežnik.

Photos: Bojan Stepančič
/by

Balkan Fiddle Gate 2021

When? 9th – 14th of August 2021

Where? Monastery Mekinje, Kamfest (Kamnik, Slovenia)

What?
Monday – Friday: Masterclass, Special Courses, Fiddle Gang Jam
Saturday: hiking, mentor’s concert, last party
(According to weather we can change the hiking day. In this case the program is moved to Saturday.)

Participants can choose from 2 programs:
– Masterclass (advanced level, audition tape required)
– Special Courses (medium-advanced level)

Our mission is:
– connecting European influential crossover fiddlers with more focus on the instrument specialities than at traditional Ethno
– to learn from specialized fiddlers for some region/style
– to give a chance to join professionals
– to join every day’s ‘Fiddle Gang Jam’, with the set list known in advance, organized rhythm section and provided materials
– experiencing every day’s spontaneous jam sessions

Fiddle Gang Jam
There will be a Godalkanje tent at the festival Kamfest in the downtown of Kamnik, reserved only for Balkan Fiddle Gate participant’s performing. Every evening’s Fiddle Gang Jam and the mentor’s concert. Rather than preparing a concert production, we will include the learned materials in the ‘Fiddle Gang Jam’ every day. Special Courses mentors will be curators of Fiddle Gang Jam’s line-up and set list. We will hire some professionals as a rhythm section. 1 hour set. After that, a free jam.
8PM – Fiddle Gang Jam
9PM – free jam session

Participation & Lodging

All participants will live and practice in the Monastery Mekinje, 15 minutes walk from Kamnik down-town.

Participation fee:
usual participation fee: 210 €
special price for 2021 (the festival pays 1/3): 140 €
one day boarding (one Masterclass and one Special Courses session): 40 €

If you would like to contribute to our project, support the arts and feel you can afford to give more money, we would be happy if you consider paying the solidarity price within your financial possibilities of your own choice. With this solidarity fee, you help us continue to offer events for a wide range of young musicians at an affordable price….

Accommodation and food (special price for the Balkan Fiddle Gate):
Monday, 9. 8. (lunch) – Saturday, 14. 8. (breakfast): 170 €
coming earlier or staying longer:
20 € – accomodation with breakfast
27 € – half pension
32 € – full pension

Saturday: one free hot meal at the festival Kamfest

/by

Masterclass Transylvania (Jean-Christophe Gairard)

Dates: 9th – 14th of August 2021
Location: Monastery Mekinje, Kamfest (Kamnik, Slovenia)

  • limited to 12 participants
  • participants learn 5 tunes in advance
  • for advanced level only
  • every morning 3 x 50 minutes sessions: ornamentation, variation, accompaniment
  • free, but not obligatory participation to afternoon’s tune-learning sessions ‘Special Courses’
  • rehearsals for projects in the afternoon

10 AM – ornamentation
11 AM – accompaniment
12 AM – language (style, variation, improvisation, vocabulary implementation)

/by

Namuznjeno godalkanje 2021/22

When? Once a week in the school year 2021/22 (exact day of a week will be known later, probably workshops will take place on Wednesday afternoons)

Where? CSK France Prešeren (Karunova 14), Ljubljana

Mentors: Bojan Cvetrežnik, Barja Drnovšek, guest mentors of Godalkanje

For whom? For all the strings and rhythm sections (bass, guitar, ukulele, accordion,…) who master the repertoire for the 3rd grade of lower music school.

What? At the Godalkanje group workshops, we teach contents that are not yet widely available in our country. We draw mainly from the treasury of violin tunes of different traditions. We learn by listening, following chords, improvising, performing different techniques (‘chops’, jig, swing, different ornaments…). We consolidate the learned repertoire at street performances and in concert halls.

More information and registration: godalkanje@gmail.com

/by

Hobi Godalkanje 2021/22

When? Once a week in the school year 2021/22 (exact day of the week will be known later, the workshops will probably take place on Wednesday afternoons)

Where? CSK France Prešeren (Karunova 14), Ljubljana

Mentors: Bojan Cvetrežnik, Barja Drnovšek, guest mentors of Godalkanja

For whom? For all the strings and rhythm sections (bass, guitar, ukulele, accordion,…) who master the repertoire for the 6th grade of lower music school. Especially for anyone who has graduated from junior music school and would like to continue with playing music.

What? At the Godalkanje group workshops, we teach contents that are not yet widely available in our country. We draw mainly from the treasury of violin tunes of different traditions. We learn by listening, improvising, following chords, performing different techniques (‘chops’, jig, swing, different ornaments…). We consolidate the learned repertoire at street performances and in concert halls.

More information and registration: godalkanje@gmail.com

/by

Godalkanje Special Courses 2016/17

GODALKANJE SPECIAL COURSES 2016/17

when?
school year 2016/17 (see individual workshop )

where?
Rimska 2b , Ljubljana

for whom?
For all the strings players , especially for students , teachers and those who have finished music school.
The required level of prior knowledge: technical level implementation of 6th grade primary music school.

1. Workshop “SERBIAN MUSIC”, mentor Emilio Castiello (France)
Intensive weekend from 25th to 27th of November (Friday 6 p.m. to 9 p.m., Saturday 10 a.m. to 1 p.m. and 4 p.m. to 7 p.m., Sunday 10 a.m. to 1 p.m. and 4 p.m. to 7 p.m., at 7 p.m. the final concert)

2. Workshop “BULGARIAN MUSIC”, mentor: Sofia Högstadius (Sweden)
Intensive weekend from 3rd to 5th of February (Friday 6 p.m. to 9:00 p.m., Saturday 10 a.m. to 1 p.m. and 4 p.m. to 7 p.m., Sunday 10 a.m. to 1 p.m. and 4 p.m. to 7 p.m., at 7 p.m. the final concert)

3. Workshop “APPROACH 2CELLOS“, mentor: Luka Šulić
Intensive weekend from 5th to 7th of May (Friday 6 p.m. to 9 p.m., Saturday 10 a.m. to 1 p.m. and 4 p.m. to 7 p.m., Sunday 10 a.m. to 1 p.m. and 4 p.m  to 7 p.m., at 7 p.m. the final concert).

4. Workshop “TUNES / VIŽE” (dances of the world and other tunes), mentor: Barja Drnovšek
Every second Friday from 5:00 p.m. to 6.30 p.m. from September to June, 90 min / 2 weeks

5. Workshop “TANDEM JAZZ IMPROVISATION”, mentor: Bojan Cvetrežnik
2 months 60 min / week, dates by arrangement (jazz improvisation in tandem can be selected for more than a two months period, a maximum of 5). Implementation of this workshop is also possible via Skype.

 

PRICES:

ENTRY FOR THE WHOLE SEASON: € 450 ( includes 4 or 5 workshops )

INDIVIDUAL WORKSHOPS:

Workshop TUNES / VIŽE : € 250 ( € 25 / month )

Workshop APPROACH 2CELLOS : € 200 ( early entry fee until 09/21/2016 – € 150 )

SERBIAN MUSIC workshop : € 150

BULGARIAN MUSIC workshop : € 150

JAZZ IMPROVISATION IN TANDEM: € 150 ( € 75 / month )

Registration:

by e-mail at: mail.specialcourses@gmail.com

Deadline for full-year enrolment: September 14, 2016
Deadline per workshop: at least 8 days prior to the workshop

Workshops will be implemented only if there is a sufficient number of participants.

The Special Courses are the initiative of Godalkanje.org open source music education in Slovenia. It is a part of the One Music Society activities that are orientated towards sound ecology, equal rights for different music styles and run new economy experiments with music production. Godalkanje courses take place since 2010 with the intention to present as much diversity as possible in order to give string players a lot of opportunities for further investigation.
Each major violin folk movement (Celtic, Scandinavian, Balkan, Slavic, Romanian, Latin, Alp region…) has hundreds of different violin styles inside, even on very small territories. If we add this to hundreds of years of written music in classical music, traditional and contemporary jazz violin, rock and electronic music, it would be extremely difficult to find a better symbol for the European musical diversity than the violin is.
The courses are mostly run by playing ‘all together’ and with a strong intention to perform publicly as soon as possible. This year, two of the five workshops will be held regularly once every two weeks. At each session, a new tune (viža) will be on the agenda. Intermediate workshops will serve as a learning opportunity for improvising on the given tune. A smaller group of participants uses the repertoire of the courses for group playing or performing with their groups outside Special Courses. All fears about how the integration with the new worlds will turn out must immediately be eliminated.

/by

Special courses – Barja Drnovšek – BALFOLK

When: 1–3 April 2016

Where: Rimska cesta 2b, Ljubljana

Slovenska verzija

Who: 

Barja Drnovšek graduated at the Carinthian State Conservatorium with Prof Helfried Fister and obtained her master’s degree from the Academy of Music in Ljubljana with Prof Gorjan Košuta.

While pursuing her studies, she found folk music intriguing, which led her to attend various workshops and folk camps (Etno Histeria, Trad. Lockenhaus music workshop etc.). In addition to classical orchestras (SFK Symphony Orchestra, Wiener Jeunesse Orchester, Arseia String Orchestra, MLS, Junge Philharmonie Wien etc.), she has been increasingly engaged in a number of ensembles that play folk music (Symbolic Orchestra, Terrafolk, Ida&Other Bears, Grad gori!, a duet with Bojan Cvetrežnik, Svetlana Makarovič, Baraka etc.). Soon, however, this activity became a profession and she quit her job at a public school and became a freelance musician and a music teacher. She teaches violin and other instruments and holds workshops as part of the educational programmes of the ONE Music Society. In addition, Drnovšek takes part in theatre and puppet performances and works as a session musician recording music for films, cartoons and pop musicians.

What:

BALFOLK

Explore folk dances from those European countries where dancing is part of everyday life, where people do not wear traditional costumes and do not dance to “perform” but rather out of pure joy – everyone, young and old. You will make a journey to France, Italy and Belgium, through Scandinavia and to the Balkans, and learn about the music and the basic steps for the mazurka, schottish, circle circassien, kolo, polska, hanter dro, chapelloise and others. Expand your repertoire with tunes that can inspire our pupils as well as our classical performances. If we play them around the world, someone will definitely move their feet at some point.

Video:

Timetable:

Friday, 6pm–9pm;

Saturday 10am–1pm, 4pm–7pm;

Sunday 10am–1pm, 4pm–7pm, final performance;

Participants are required to attend all workshops of the course.

Price:

150€/workshop ; 450€/yearly participation (90€/workshop)

Deadline for an application:

8 days before each workshop

Deadline for payment :  

September 24th for the yearly participation.

For one course: on the day of the course. 

Yearly participation has to be paid in 3 amounts of 150€ (before the September, November and January courses)

If you wish to be a part of our courses, just send a mail on:   mail.specialcourses@gmail.com  and we will send you an invoice.

/by

Special courses – Bojan Cvetrežnik – TRAINING FOR VIOLIN TEACHERS

When: 4–6 March 2016

Where: Rimska cesta 2b, Ljubljana

Slovenska verzija

Who: 

Bojan Cvetrežnik studied classical music. He obtained his degree in viola performance in the class of prof. Mile Kosi and improved his knowledge in Klagenfurt and Berlin as well as on master classes (with Helfried Fister, Kim Kashkashian, Diemut Poppen, Tabea Zimmermann, Laszlo Barshony, Carol Rodland, Hartmud Rhode, Mathias Buchholz). He started his professional career in classical music as professor of viola and chamber music at the Maribor Music Conservatory, as well as a viola soloist with the Opera Orchestra in Ljubljana. The curiosity of the unknown and his innovative spirit soon led him to exploring various musical styles, learning other stringed instruments and composing his own music, from simple songs to scores for symphonic orchestras. He played with numerous big names of various musical styles, such as Vinko Globokar, Vladko Stefanovski, Neil Innes, Arvid Engegård, Renato Chicco, Simone Zanchini… He worked as production manager of the RTV Slovenia Symphonic Orchestra and the Jenaer Philharmonie. He was a member of the Terrafolk music group when they received the BBC World Music Award, and worked as a violinist soloist in the Canadian artistic theatre Cirque du Soleil. In 2005, he founded the ONE Music Society, committed to the equality of diverse musical expressions. In 2006, he founded the Symbolic Orchestra which brings together over 100 musicians from all over Europe and performs music in extremely diverse cultural environments. Since 2010, he has been intensively working in education of both beginners and professionals as a visiting lecturer but also within the Godalkanje programmes. He teaches elementary classes of violin in the fourth grade of the Waldorf Elementary School. When designing his methodology, he finds the biggest inspiration in self-taught musicians. He invented playful approaches to understanding musical theory, such as ‘Singing Ludo’, ‘Singing Bingo’, tablet applications and other puzzles. He likes to say: “I can only talk seriously to those who understand jokes.”

What:

TRAINING FOR VIOLIN TEACHERS

Understanding and actions in the first learning period, prior to reading notes.

Playing without notes does not mean excluding music theory. Understanding music theory allows self-taught musicians to perform music they acquired by ear on various instruments with a melodic, bass, harmonic or rhythmic role. With my students, we perform the technical placement on the violin consistently with very clear metaphors. Children are able to self-assess the correctness of a particular layout or technique and can thus seek the most suitable way for them to a relaxed play and a good listening control.

Which goals are more effectively achieved in individual, and which in group classes? I do not want to name my work as a new method, because harmful specifications are needed when defining and marketing methods. I wish teachers were flexible enough to be able to quickly write an etude or an exercise for their students, and not only use centuries-old exercises written by the best teachers of the time and intended for their disciples. This said, it is necessary to have clearly defined priorities. I put a strong emphasis on the child’s musical taste, immediate performances and the integration of music in their everyday life and other activities. You are invited to come meet swimming pools, jumpers, swimmers, airports, mountains, lowland, highways, wheels, fish, balloons and so many other fun accessories!

Video:

Timetable:

Friday, 6pm–9pm;

Saturday 10am–1pm, 4pm–7pm;

Sunday 10am–1pm, 4pm–7pm, final performance;

Participants are required to attend all workshops of the course.

Price:

150€/workshop ; 450€/yearly participation (90€/workshop)

Deadline for an application:

8 days before each workshop

Deadline for payment :  

September 24th for the yearly participation.

For one course: on the day of the course. 

Yearly participation has to be paid in 3 amounts of 150€ (before the September, November and January courses)

If you wish to be a part of our courses, just send a mail on:   mail.specialcourses@gmail.com  and we will send you an invoice.

 

 

/by